They struggle with raising a teenage ward. They have distinct personalities: Flora is a bit bossy and overbearing Fauna is emotional and sentimental Merryweather is grumpy and stubborn. The movie devotes a great deal of screen time to Flora, Fauna, and Merryweather’s adventures. Defeating the big bad villain is usually the hero’s job. The three fairies are the ones who volunteer to protect the princess, and ultimately, they’re the ones who have to figure out how to foil the dark fairy Maleficent, who wants revenge on Aurora’s family because she wasn’t invited to Aurora’s christening. As part of the Disney Princess brand, the older movies are routinely dismissed as being about women who wait around to be saved by princes, and who don’t actively take control of their stories.Īmid all the hullabaloo about the Disney Princess brand, it’s easy to forget that. They have their own individual quirks, but modern princess protagonists just do more. None of these movies stray particularly far from their fairy-tale origins, which means the princesses in them don’t have much agency when compared to their modern counterparts. Almost every plot point in Sleeping Beauty is something that happens to her, not something she does.Īs the three oldest Disney Princess movies, Sleeping Beauty, Cinderella, and Snow White and the Seven Dwarfs often get the brunt of modern criticism. She basically does nothing but sing sweetly, fall asleep, then get rescued. Aurora drops out of her own movie halfway through, after being lured into a trap by a wicked fairy. If you view it at face value - with Aurora, the titular Sleeping Beauty, as the center character - then Sleeping Beauty is a peculiar movie about a passive princess. Of all the Disney movies featuring passive female protagonists, Sleeping Beauty might be the most misunderstood.
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